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Abstract


An Analysis on The Lyrics, in Which Nây Is Referred To, in Repertories Included on Nazarî and Amelî Turkish Music, Zekâî Dede Efendi and Dârü’l-Elhân Complete Works
Musical note collections have important place in classical Turkish music. Lyrics analysis of lyrics, in which nây word passes, and inspection of rhythm characteristics in the masterpieces included in Dârü’l Elhân Complete Works, Nazarî and Amelî Turkish Music and Zekâî Dede Efendi Complete Works Repertory, which are analyzed within the scope of the study, constitute the subjects of the study. Detection of the actual and symbolic meanings of nây word in the lyrics of the masterpieces included in three sources is aimed with this study. Three sources are analyzed within the scope of the sampling, and masterpieces composed from the lyrics, which include the word of nây, are detected, musical notes of the masterpieces are included in the scope of the sampling, lyric analysis of the masterpieces and characteristics of the rhythm are inspected and tabulated. In addition, the formal features of the lyrics are included. As a result of the study; it is observed in the sources analyzed that there are eight lyrics, in which the word of nây is mentioned, the word of nây is included more in Dârü’l Elhân Complete Works and Zekâî Dede Efendi Complete Works by three lyrics for each of them; when eight lyrics are analyzed, quatrain composition form is preferred more as a form; in terms of îkâ, çenber and muhammes îkâ are often preferred evenly and “Fâ‘ilâtün Fâ‘ilâtün Fâ‘ilâtün Fâ‘ilün” prosody is used more as aruz prosody.

Keywords
Nây, Lyrics Analysis, Dârü’l Elhân Complete Works, Nazarî and Amelî Turkish Music, Zekâî Dede Efendi



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